German 1805-1873 Franz Xaver Winterhalter Galleries German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.  Related Paintings of Franz Xaver Winterhalter :. | Portrait of Queen Victoria | Leopold, Duke of Brabant | Portrait of the Queen | Helene Louise Elizabeth de Mecklembourg Schwerin, Duchess D'Orleans with Prince Louis Philippe Alber | The Empress Eugenie Surrounded by her Ladies in Waiting |
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morris hirshfield

Andre Gill
1840-1885,was a French caricaturist. Born Louis-Alexandre Gosset de Guines at Paris, the son of the Comte de Guines and Sylvie-Adeline Gosset, he studied at this city's Academy of Fine Arts. He adopted the pseudonym Andre Gill in homage to his hero, James Gillray. Gill began illustrating for Le Journal Amusant. Gill, however, became known for his work for the weekly four-sheet newspaper La Lune, edited by Francis Polo, in which he drew portraits for a series entitled The Man of the Day. He worked for La Lune from 1865 to 1868. When La Lune was banned, he worked for the periodical L'Eclipse from 1868 to 1876.
Sven Birger Sandzen
(5 February 1871-19 June 1954), known more commonly as Birger Sandzen, was a Swedish-American painter best known for his landscapes. He produced most of his work while working as an art professor at the Bethany College, Lindsborg, Kansas. Sandzen was born in Blidsberg, Ulricehamn Municipality, Västra Götaland County, Sweden, the son of a Lutheran minister and his wife, an accomplished watercolorist. A protege of Anders Zorn, Sandzen showed an interest in art at from early age, and at the age of 10 joined Cathedral School (Katedralskolan) situated in Skara, to study art under the tutelage of Olof Erlandsson, a graduate of the Royal Swedish Academy of Arts. After graduating in 1890, Sandzen studied for a short time at the University of Lund before moving to Stockholm. It was his intention to enroll at the Royal Swedish Academy of Arts. However, the waiting list proved too long for him. Instead, he sought out and joined a group of young artists who were studying under Anders Zorn, Richard Bergh and Per Hasselberg. This group would later be known as the Artists League (Konstnärsförbundet).At the end of his studies, Zorn and Bergh recommended that Sandzen complete his painting studies in Paris. In 1894, Sandzen left Stockholm to study under Edmond Aman-Jean who introduced Sandzen to pointillism.